Past Events

Meet in-person with Bev Craig, leader of Manchester City Council and her team to discuss how companies based in the region can be better supported.

This webinar will cover the key considerations and routes available for companies when hiring foreign workers within the media and entertainment sectors so that they can live and work in the UK.

Pact Members with an office base in or around Liverpool are invited to a round table with Lynn Saunders, Director of the Liverpool Film Office and her team to discuss support for companies and economic growth for Liverpool.

An online consultation meeting for Pact members with the West Midlands Combined Authority to discuss the feasibility of establishing a dedicated Regional Screen Production Service Office for the West Midlands.

A webinar with experienced media lawyer, Rowena Cordrey providing an introduction and refresher of key legal and compliance issues to consider when making documentaries.

Join us for the first ever Podcast x TV industry networking event between Pact and Audio UK members.

Join us for this session with Mint & Co for insights into how to maximise your exploitation opportunities and create new revenue streams through careful planning and decision-making when creating, financing and distributing your projects.

A webinar covering the basics of copyright law for independent producers including a deep dive into fair dealing, delivered by Reviewed & Cleared's Louise Lambert.

Register to be part of the official UK Indies delegation at Realscreen Summit, and opt to attend NATPE Global in the same week with an exclusive Pact Combo Pass offer.

Pact members based in the South East of England are invited to meet with Pact Head of Nations and Regions, Chris Curley ahead of a forthcoming Pact meeting with Brighton & Hove City Council.

Join us for this event hosted jointly with King's College London for insights into how SVODs are reshaping viewing patterns and screen encounters with British films and TV shows in European markets.

What’s working and why in the US non-scripted sector right now and where are the opportunities for UK producers to break in?