Agreed overime rates document 1 of 2. These documents are for illustrative purposes of the agreed terms and conditions only - they do not, for example, set rates of pay or illustrate agreed rates of pay (which remain negotiable).
Agreed overtime rates document 2 of 2. These documents are for illustrative purposes of the agreed terms and conditions only - they do not, for example, set rates of pay or illustrate agreed rates of pay (which remain negotiable).
These documents about the 6th and 7th consecutive days and overtime rates are for illustrative purposes of the agreed terms and conditions only - they do not, for example, set rates of pay or illustrate agreed rates of pay (which remain negotiable).
This contract secures rights in music that is specially commissioned and authorises the synchronisation/dubbing of a sound recording (master) to picture for exploitation throughout the world in all media. This contract does not secure an assignment of publishing rights. If this is required, please contact Pact.
This is to assist you in understanding the difference between a contract with publishing and synchronisation rights or acquiring synchronisation rights only which is the most common one used.
This contract is to ensure that the music composed for the production provides the publishing as well as synchronisation rights of the music to be put in the production to exploit throughout the world in all media.
Showing the comparison of a shooting crew with one hour Continuous day camera overtime at the current rate of £50 per hour & the new T2 rates. These documents are for illustrative purposes of the agreed terms and conditions only - they do not, for example, set rates of pay or illustrate agreed rates of pay (which remain negotiable).
Diamond (Diversity Analysis Monitoring Data) delivers, for the first time, a common system for monitoring diversity across all the main broadcasters. Production companies will trigger the Diamond automated system, which then asks to collect diversity data from everyone working on a production, both on- and off-screen.
This is for the engagement of a director contracting via a personal service company (PSC) on a production commissioned by a UK broadcaster. This document is an example of a director contract for you to adapt and use. It is not intended to inhibit or replace individual negotiations between your company and the director or their agent.
This is for the direct engagement of a director of a production commissioned by a UK broadcaster. This document is an example of a director contract for you to adapt and use. It is not intended to inhibit or replace individual negotiations between your company and the director or their agent.
This document sets out the guidelines and the recommended best practice in a number of key contractual areas in the Director's Contract which reflects the contractual relationship between broadcasters, producers and the Director.
This is a guidance note on the treatment, including rights over work, of directors in television drama, comedy and scripted entertainment productions. For treatment in non-fiction productions please refer to the Non Fiction Code of Practice instead.
This is a guidance note on the treatment, including rights over work, of directors on factual, documentary, drama Documentary and unscripted factual programmes. For treatment in drama or fiction please refer to the Fiction Code of Practice instead.
This agreement outlines the terms of the Directors UK Blanket Agreement 2020 between DUK, BBC, ITV, Pact, Channel 4, Channel 5, Sky, BBC Studios, Sky Studios, ITV Studios and Teledwyr Annibynnol Cymru CYF.